dextra

11:11 AM Posted by James Owens

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Lindisfarne

A limited freedom in this secured space like a soldier’s hand in a wired gauntlet. I walk from room to room and wait. For something.

Every Thursday morning the garbage trucks maunder past like a military maneuver, those devourers, and every afternoon my daughter trudges back from school, smiling --- a bit distracted, it seems --- at the dogs restrained by the neighbors’ fences, at the drifts of snow,

her mind somewhere else, though the little cage of her supple bones comes home.

I wanted for years to translate Alcuin’s elegy on the destruction of the monastery at Lindisfarne but there was no way to capture its sorrow and poise, Alcuin’s balanced sense of the tragic. I think this poem is about that failure,

as much as it is about the daughter.

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One who is dear to me writes of the kneeling girl in Brancusi’s La sagesse de la terre: “it is that kind of innate wisdom, intuitive understanding of the right measure, the right way, the way a child sits still with her hands in her lap and nature is at work in her, that quiet life-sustaining energy.”

Sitting alone, the daughter sways slightly on the surge of a rhythm I can’t hear, her eyes closed, focused. When she moves, it is the motion of a young doe across a lighted space in the woods. Such an old image, but she renews it.

The monks gathered without breakfast from their meditations and sang their last matins as the outside walls burned, their song punctuated by the thuds of the rams, screams from the servants’ quarters (I imagine it),

and they saw, Alcuin says, the altar, the goldleaf illuminations, defiled by the dextra ethnica, the “ethnic right hand,” of the Danes.

In Iraq, the soldiers stood by and looters took apart the National Museum. That’s the way to kill history --- Sumerian golden bulls peddled for “culture,” or melted somewhere in the world to cheap wedding rings and bangles for leather bracelets. So little left.

*

That the daughter will live in this world, which worries her less than it worries me. That her natural kindness is one term of this chiasmus, her crossing of herself with the world.

No artificial closure for these fragments.

We started out early in the morning and drove along the small, empty roads for a long time, under the sheets of early light hanging from the branches of high trees, past the cows and the pairs of horses that turned toward us, to the ruins,

where the walls were still crumbling,

and the daughter’s face brightened as she reached out to touch the broken stone.

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2 comments:

Roxana said...

I am at a loss for words. It is so beautiful. and so frail. I felt my heart beat faster and faster, and when the last sentence emerged in me, there was suddenly an explosion of silence. the wholeness of the human kind is contained in that light and that reaching out and the suspended gesture whose ending we do not know, but we are only left to wonder about.
your prose has that rare quality of a rhythm which creates a living musical tissue out of the syllables.
and what beautiful portrait of the daughter... quelle tendresse et douceur, quelle vulnerabilite et force s'y cachent...

James Owens said...

Multumesc, Roxana. Comme toujours, ton commentaire remplit mon texte d’une clarté généreuse. C’est comme si tu as lu le poème que j’aurais voulu écrire.